Sahitya Sangeet

 

Literature Is The Almighty & Music Is MeditationM

 

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IMPORTANT LINKS

Ghalib
Spirituality

Raga Ahir Bhairav




Thaat
Bhairav


Vaadi/Samvaadi
m/S

Prahar
(6 am - 9 am)


Important Anuvaadi
P

Aaroha
S-r-G-m-P-GmD-n-S'

 

 

Avaroha

S'-n-D-P-m-G-r-S-'n-r-S


Saptak-pradhaanata

 

Pakad
D-P-m-G-mr-S-'D-'n-r-S


Tanpura Tuning
P

Jaati
Sampoorn-Sampoorn


Notation


The following notations are used to describe notes of a raag :

Lower notes are written in lower case and upper notes in upper case.

Thus, Shuddh notes are notated as S, R, G, m, P, D, N

Komal notes are notated as r, g, d, n

Teevra Ma is notated as M

All notes belong to madhya-saptak by default.

Notes of mandra-saptak are preceded by ' sign, and notes of taar-saptak are succeeded by ' sign.

For instance 'N means Ni of mandra-saptak, and S' means Sa of taar-saptak.

A comma represents a pause.
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