Literature is The Almighty & Music Is Meditation
Gauri is one of several Gauri ragas and appears in the Ragmala as a ragini of Siri Raga. This is an evening raga assigned to autumn and its mood is contemplative. The composition in Gauri is very voluminous. Gauri was used by Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan, and Guru Tegh Bahadur. Several forms of Gauri exist historically and this probably accounts for a large number of variants: Gauri Cheti, Gauri Bairagan, Gauri Dipaki, Gauri PurbiDipaki, Gauri Guareri, Gauri-Majh, Gauri Malava, Gauri Mala, Gauri Sorath, Gauri Dakhani.
Aroh: Sa Re Ga Re Ma Pa Ni Sa
Avroh : Sa Ni Dha Nfa Pa, Dha Pa IIa Ga, Ga
_Re Sa Ni Sa
Occasionally Re is performed with a vibrate as in Siri Raga which has the same vadis. Ni is given prominence through either stopping or lingering on this note.
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